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The Low End

August 19th, 2008 | No Comments | Posted in Uncategorized

Jonathan Morris started a classical chamber ensemble of amplified instruments to try and sous out how classical music might survive in today’s rock and roll world. He wrote very clearly about it a year ago here.

So, he’s got a show with Low End coming up, and I thought I’d try and let some folks know.

The details:
Low End String Quartet at Velvet Lounge
915 U Street NW, Washington, DC
202.462.3213
Saturday August 23
Doors at 7pm
Show at 8pm
only $7

Links:

Low End Quartet:
http://lesq.alkem.org/
http://www.myspace.com/lesq

I am always wary of art that starts from theory; I see a lot of bad modern dance with that origin. Still - I wish I could make it to the show this Saturday. Would love to hear what anyone thinks if you go. I’ll be at a ballroom dance competition with my work.

Judge Art Now!!

August 18th, 2008 | No Comments | Posted in Uncategorized

I frequently meet people who are scared to judge Art. This is fascinating to me, because as I understand it, Art is an inherently personal experience, a gift from the artist. It is mine, and so mine to judge, like bad breath or bad shoes. I feel comfortable assessing a Van Gogh as second rate, a Pollock as mediocre, or an unknown coffee-shop drawing as brilliant. It is a sign of the (perceived) irrelevance Art has in modern life that many do not feel licensed to judge it.

Most lay-people evaluate Art (be it music, visual art, or dance) with simple standards. Discouraging the use of these standards does us no service. It is never in an artists’ best interest to imply that he/she is more intelligent, or sophisticated, than the audience. It is interesting to consider the public’s disinclination to judge Art in contrast to its inclination toward the judgment of sport. Sports teams, which have a loyal community based on geography, are the subject of constant – and usually completely uninformed – discussion.

The act of judgment is an act of ownership, and investment. Sports teams have public support, in part, because the public is empowered to critique them. Art is reliant on encouraging the engagement and investment of its community. How does one encourage engagement and investment? By encouraging judgment. Burdening potential stakeholders with the ‘correct’ means to evaluate an experience is asking too much. As we move forward to the discovery of the Art and audience of tomorrow encouraging judgment could be meaningful to the growth of the Arts community.

This was published in the dance magazine Contact Quarterly a few months ago as a letter to the editor. It’s the short short version of a 1500 word piece.

I would add here that I find sports to be a common ground in our society. When I don’t know what to say to people ‘out in the world’, I can usually strike up an engaging conversation on sports. Perhaps in the 18th or 19th century it was different. Maybe then people talked about sonatas, witches, or taxes. But I find comfort - and I think many do - in the common (shallow) interest that sports provides.

I do not mean to imply that sports are bad. I am simply trying to explain the mass appeal. A conversation on the relative merits of sports vs. arts for children and adults will be forthcoming.

A Word for Love: Bloom

August 10th, 2008 | No Comments | Posted in Uncategorized

flower band

One of my college professors once told me that the Alaskan Inuit have a hundred and twelve words for snow. This now reminds me that this culture is poor in the words that we have for love. We don’t communicate gracefully about this subject. That same professor wrote that good design – as in architecture – is a marker of good thought. “Architecture is crystallized pedagogy,” is what Dr. Orr said.

Our modern American culture is amazingly clear about some very complex things (microchips, genetic engineering, even dance) and yet very fuzzy about love. Our words, our architecture, for love are poorly developed, which is a good sign that we don’t think well about this subject.

Inuit culture was rich in its appreciation for what surrounded them. And though love surrounds all of us here –even in the lower 48 - we are encouraged today to notice commerce. My understanding of the words “success”, “wealth”, and “rich”, is strangely tied to commerce.

money

To love is to risk. But as with many things, to do nothing – not to love – is an even greater risk. I had a younger first cousin, my father’s only sister’s second youngest. He died when I was eight, he seven. He was a kind, otherworldly boy. We buried Rafael in the wood lot on their farm, and planted a tree on his grave. A few years later, my great-grandmother died. Though she was 104 years old, it was still awful when she died. Just as it was when Rafi died. And there’s nothing that I can do about that.

I hate to be Hallmark, but death is a part of life. When you need to control things in order to feel comfortable, you have a hard time appreciating the things that you can’t change. I watched the movie ‘Pay it Forward’ again the other night. I always cry at the end. The song “calling all angels” when the community brings flowers to Helen Hunt’s house just does me in. The movie reminds me that people place flowers in mourning

We place flowers in mourning. But flowers are a birth. They bloom. Why do we use them at death? Is it to make ourselve’s feel better with their bright colors? Or is it to remind us that even in death there is life? Maybe we are letting the flowers remind us that even in death, the mourned individual still blooms. Whatever once bloomed in them is beautiful, still.

Every flower withers. Whethe we notice it was ever there, whether we see the bloom again or not, everyone who has lost a loved-one knows that while remembering beauty is painful, forgetting beauty is worse. Society as a whole seems befuddled by love in life, but in death we know our love is a flower.

Love is expressed not one way, not two ways, but in 6 billion human ways, and innumerable non-human ways, including with the letters B – L – O – O – M. The only thing we can control is whether we notice and encourage our own bloom, and the blooms around us.

all the lonely people, where do they all come from?

[original written 10/5/06. this version 8/9/08]

Am I Not A Man And A Brother?

August 8th, 2008 | No Comments | Posted in Uncategorized

Am I not a man and a brother?

I was reading some American History and came across the following phrase from the abolitionist movement: ‘am i not a man and a brother?’

For some reason the phrase really captured my imagination. I found a decent explanation on this site.

The first and most identifiable image of the 18th century abolitionist movement was a kneeling African man.

Members of the Society of Friends, informally known as Quakers, were among the earliest leaders of the abolitionist movement in Britain and the Americas. By the beginning of the American Revolution, Quakers had moved from viewing slavery as a matter of individual conscience, to seeing the abolition of slavery as a Christian duty.

Quakers, who believe in simplicity in all things, tended to view the arts as frivolous; but when the Quaker-led Society for Effecting the Abolition of the Slave Trade met in London in 1787, three of its members were charged with preparing a design for “a Seal [to] be engraved for the use of this Society.”

Later that year, the society approved a design “expressive of an African in Chains in a Supplicating Posture.” Surrounding the naked man was engraved a motto whose wording echoed an idea widely accepted during the Enlightenment among Christians and secularists: “Am I Not A Man and A Brother?” The design was approved by the Society, and an engraving was commissioned.

The design was symbolic both artistically and politically. In addition to evoking classical art, the figure’s nudity signified a state of nobility and freedom, yet he was bound by chains. Black figures, usually depicted as servants or supplicants, typically knelt in the art of the period, at a time when members of the upper classes did not kneel when praying; this particular image combined the European theme of conversion from heathenism and the idea of emancipation into a posture of gratitude.

Josiah Wedgewood, who was by then a member of the Society, produced the emblem as a jasper-ware cameo at his pottery factory. Although the artist who designed and engraved the seal is unknown, the design for the cameo is attributed to William Hackwood or to Henry Webber, who were both modelers at the Wedgewood factory.

In 1788, a consignment of the cameos was shipped to Benjamin Franklin in Philadelphia, where the medallions became a fashion statement for abolitionists and anti-slavery sympathizers. They were worn as bracelets and as hair ornaments, and even inlaid with gold as ornaments for snuff boxes. Soon the fashion extended to the general public.

There’s some obvious connections to several aspects of our lives today.

Do you know the name of G’d?

August 6th, 2008 | No Comments | Posted in Personal

I really like unusual people. Passionate people.

I met Heather Morgan four years ago on a fourty-five minute plane ride, and we have stayed in touch ever since. At the time - for those fourty-five minutes - we had a very intense discussion about the importance of knowing which god is ‘real’. In her opinion, if you don’t know the name of Jesus Christ as god, you will, unfortunately, not go to heaven. Also, even if you were a very bad person, if on your deathbed you accept him as your saviour - you go to heaven. I have real problems with that. I don’t think god would begrudge if you didn’t know his name. What’s more, I think it’s one of god’s little tricks to have given himself many names to see if we would fight over them.

One of the things that really impressed me about Heather was that two weeks after our meeting, I got in the mail a book called “Christian Dialectics”, which passionately discusses the importance of her reasoning. Really impressed me that she did that. She really is a love.

I got an email from her today that I enjoyed.

This happened today so I thought I would share it with you.
It was Giannina´s (my assistant) turn to teach Bible today in Spanish. The story was about Jesus healing the 10 lepers and only one coming back to tell Him thank you. You never know exactly how much 3-year olds are actually comprehending, but at the end of the day I was reminded again that they are understanding and paying attention (although at times they appear to be out near the moon). Back to the story…. When my kids were leaving this afternoon, only 2 were left when one little girl came up to me and said, “Mrs. DeLand, Gracias por la clase.” (Thank you for the class)
This really encouraged me. Hope you are doing well.
Heather

Heather is now married, and is a missionary in Honduras with her husband.
As a jew, I am not supposed to say the name of god, nor write it. Many jews write g’d to express god. I’ve always been a bit confused by that. Where does holiness begin and respect end? Where does sanctity begin, and where does it end? I’m glad Heather and I are still in touch.

Making images

August 5th, 2008 | No Comments | Posted in Personal

I’ve been doing the graphic design stuff for my work. Did something yesterday and today I like. This picture is how it looks in it’s online placement on dc dance net.

Dance net ad

I think the gray in the background makes it look kind of bland…. don’t know if it was right to black and white the images. The colors were uneven, as were the contrasts. Black and whiting em made it easier to get a complete look. In using the images earlier (for a postcard a few months ago) I had photo-shopped out some extra people who were in the background. That was my first time photoshopping people out.

Vacation

August 5th, 2008 | No Comments | Posted in Personal

I just got back from vacation. I was in the adirondacks with my family, and my girlfriend. Fani and I had some good talks while we were up there. Among the highlights.

Sometimes you have to accept people’s weakness, rather than try to help them be strong.

Whether or not english is the national language, it is the language in which our education system works. Our public education system in which all children are required to enroll.

We also did some bouldering, hiking, swimming, and consuming of realllly bad mexican served by surly people. You can see a new york times article on English as a national language here

I wrote another play with my nieces, and we performed it. This is a screen shot of the front page of the script. 

script cover

Form Follows Function

July 10th, 2008 | 1 Comment | Posted in Art, Personal

‘Form follows function’ is a principle associated with modern architecture and industrial design in the 20th Century. The architect Louis Sullivan created the maxim while figuring out principles for the construction of skyscrapers.

‘Form follows function’, as Sullivan defined it, states that the shape of a building or object should be predicated by or based upon its intended function or purpose. With buildings, that means/meant that there is a relationship to the human beings inside, the earth, the sky, and the surrounding air. I think certain applications exist toward the creation of dances. According to Sullivan:

“It is the pervading law of all things organic and inorganic,
Of all things physical and metaphysical,
Of all things human and all things super-human,
Of all true manifestations of the head,
Of the heart, of the soul,
That the life is recognizable in its expression,
That form ever follows function. This is the law.”

Sullivan was the teacher of another famous architect - Frank Lloyd Wright. The statement above comes from “The Tall Office Building Artistically Considered”,” published in Lippincott’s Magazine (March 1896). You can see the entire article here.

Art and Politics

July 10th, 2008 | No Comments | Posted in Art, Politics

I was thinking the other day about art and politics.

Art and Politics exist in contrast to Science in that:

Art and Politics deal with what you can get away with, what you can do.
Science deals with what is real.

Of course, marketing is somewhere in between.

When people talk about sex education in the district - in our schools - and abstinence only is taught… it’s not cause anyone actually thinks it is the most effective way to stop pregnancy. It’s not. That’s been shown, many times over. But as a political/policy decision, people with power don’t want it taught, so it’s not.

Science decides/develops theories, and sometimes, eventually, proof.
I learned this week that the science of assigning ‘low-tar’ designations on cigarettes was false. All cigarettes actually have the same amount of tar. The tests were doctored. But that was figured out, and now that’s that. In art and politics, people (rightly) decide on things based on preferences.

The role of science is simply to inform our choice of preferences. As we’ve seen with global warming, science itself has no direct power.

Two quotes

July 4th, 2008 | No Comments | Posted in Politics

My girlfriend is on vacation in California right now… so I’ve spent more time reading online than I usually do. I found this quote in an article off of the Journal of Aesthetics and Protest website….

Jennifer Freyd:

“Ridicule is often a response of those in power when they have little to say in defense of a challenge to the status quo.”

Then last night - while watching The Colbert Show - a guest spoke some words that I know must be someone famous. The guest was talking about the Federalist Papers, but I don’t know if this is Madison or whom:

A nation must protect itself from its own ambition.

Happy 4th of July!!!